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Just when you think the shelf life has expired on Volkswagens Cabrio ad, it resurfaces with a vengeance. The commercial became an instant classic when it debuted last year with its breezy, hushed portrayal of a midsummer nights ride with the blow over charge under a blanket of stars. You can near divulge the crackle of fireflies hitting the windshield. But you dont. Instead, you hear a soft, console voice. The spare strumming of an acoustic guitar. A simple breeze overflowing of wistful introspection. And so Nick Drakes tip moon about is introduced to a whole new generation. The young English family cradle made three records from the late 60s to the early 70s while struggle with bouts of debilitating depression. His third and final effort was the bare-bones Pink Moon, an prim bummer of an album that shows Drake mining the depths of his birth despair in a darker, much unflinching way than he had on his anterior records, Five Leaves Left and Bryter Later. The conce pt was no frills -- entirely the songs, naked, penetrating, and gimmick-free.

With the naiveté of person just discovering that the world is a cruel, unforgiving place, Drake dives into his own disenchantment brilliantly on Place to Be, singing, When I was young, younger than originally / I never saw the truth abatement from the inlet / Now Im darker than the deepest sea / Just hand me down, dampen me a place to be. Such saturnine sentiments speak to the downbeat lone wolf in everyone. Drake recorded his uniquely seductive music in recounting obscurity, only receiving recognition and building a consecrate d following(a) after his premature death at! the age of 25 from an overdose of antidepressants. Now, thanks to an advertisement, of all things, his music is reaching to a greater extent people than he could have ever imagined. If you want to disembowel a full essay, order it on our website: OrderCustomPaper.com

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